![]() Author · Books · Journalism · Information | |
| The Prey Series Stolen Prey Virgil Flowers The Kidd Series Other Novels Etcetera | Stolen Prey That was the summer of the cast and the cell phones. Cell
phones everywhere. He sometimes felt as though he were caught like a fly in an
electronic spider web, and anytime anyone, anywhere, had an urge to waste his
time, they could reach out and ring his bell. When it began, though, at that one specific moment, he had no
phone... Lucas Davenport ran through the night, a fine mist cool on his
face, the tarmac smooth and reliable under his Nike training shoes. They'd been
through a rough winter. Most years, the last of the parking lot snow piles
would be gone by early April. Now, as April ended, with the temperatures
ballooning into the seventies, there were still mounds of ice at the edge of
the larger lots, and they'd still be there on May Day. But not on the streets the streets were finally clear. As he ran he thought about everything and anything, about the
life he'd led, the children, the snatches of time frozen in his mind: a moment
when he'd gotten shot in an alley, and the flash of the man who'd shot him; the
first sight of a newborn daughter; his mother's face, crabby with an early
morning slice of toast in her hand, her image as clear in his mind as it had
been twenty-five years earlier, on the day she died... They all came up like portraits and landscapes hanging on the
wall of his memory, flashes of color in the black-and-white night. With all the
trouble and struggle and violence he'd seen, the deaths of parents and
friends... it'd been pretty good, he thought. Not much to regret. Not yet. He was getting older, with almost as much grey hair as black
at his temples, with the beginnings of what would someday be slashing lines
beside his mouth, but right now, on this spring day, he could run five miles in
a bit less than thirty minutes, even on wet city streets; and at home, there
were four people who loved him. As much as he could have hoped for. Running through the mist in a faded Bass Pro-Shops sweatshirt
with cut-off sleeves and grey sweat shorts, he turned up the hill off Mount
Curve and eventually slowed and looked through the windows on the Ford Parkway
Wells Fargo ATM. The booth was empty, which was good. He was panting and
smelled like he'd just run a hard five miles, which is not necessarily what
somebody else wants to see from a stranger inside an ATM booth. He went inside. He had nothing with him but the ATM card, his
driver's license and fifteen dollars, in a Dunhill money clip. No phone: for
this rare half-hour, no cell phone. He stuck the card in the ATM slot, punched
in his four-digit code, hit the video square that said his most frequent
withdrawal was five hundred dollars, and in the next few seconds, collected his
card, his five hundred in twenties, and the receipt. He pushed the card and his
ID back in the money clip, and slipped the money clip back in his pocket, and
was looking at the receipt, which showed he had $19,250 in his checking
account, as he pushed through the door... The tweeker was right there, with a piece-of-shit chromed
revolver shaking like a leaf, three feet from Lucas' eyes. The hole of the
muzzle large as the moon, and the man was saying "Gimme the money gimme the
money gimme the money..." The gunman's eyes were pale blue, almost as though they'd been
bleached. He had spiky reddish hair, hanging raggedy over his ears, as though
it had been cut with pinking shears. He was missing several teeth, his face was
touched with a patchy rash, and the muscles of his gaunt forearms twitched like
pencils under the skin. Lucas thought, "I could die." It'd be a weird way to go,
killed in a street robbery with this clown, after chasing down dozens of heavy
hitters in his life, serious killers with functioning brains... Lucas became aware of a woman, looming two or three feet
behind him. He glanced at her, quickly: she was big, raw-boned, and
empty-handed, with the same gaunt meth-addled eyes as the man. Across the
street, another woman was walking toward the bookstore at the top of the hill,
under a black umbrella, a dachshund on a leash beside her, the dog's legs
churning like a caterpillar's as it tried to keep up. There were cars passing
by, their tires hissing on the wet streets, and he could smell the fleshy stink
of run-over worms, and the tweeker was almost screaming, spit rolling down his
chin, "gimme gimme gimme" and Lucas handed over the five hundred dollars. He'd lost track of the woman, as he concentrated on the muzzle
of the gun and the man's fingers on the butt and trigger. If they turned white,
if he started to squeeze, Lucas would have to go for it... But as soon as her partner had taken the money, the woman hit
him between the shoulder blades with both hands, and simultaneously hooked his
ankles with her foot. With his feet pinned, he went down hard, full-length,
broke the fall with his hands but still smacked his knees and chin on the
concrete sidewalk, and rolled, and saw the two of them hoofing it down the
block. The woman was large with broad-shoulders and wide hips, but bony for all
of that; the man was thin, jagged-looking. Lucas got to his feet, his first thought to give chase, but
the man turned as he ran and waggled the gun at him. Lucas had nothing on him:
nothing but the money clip, two cards and fifteen dollars in cash. No gun, no
phone. And he hurt. His back hurt from the impact, his hands and
knees were skinned, his wrists sprained. He touched his lower lip, came away
with a bloody finger, and realized that he'd cut his lip on his upper teeth.
His teeth felt okay; nothing wiggled. He took a few steps after the robbers, then stopped as they
turned the corner. A few seconds later, a car screeched away, out of sight.
Lucas looked around: nobody there on a wet Sunday night, nobody but the woman
across the street, and her umbrella and her dog, rapidly headed away, up the
hill, unaware that anything had happened. He said, "Shit," and limped toward home. Reviewed what had
happened, walked through it in his mind. He had, he decided, done the right
thing. The piece-of-shit revolver was probably a .38. Not the most powerful
weapon, but one that could have sprayed his brains all over the street. And he
thought, they'd done it before. The woman had taken him down like a
pro, smooth, efficient, practiced. Lip hurt. Knees hurt. Hands hurt. Five hundred dollars
gone. But they'd made a large mistake. Sooner or later, he'd see them again. Weather, his wife, a surgeon who had spent part of her
internship in an emergency room, tried to be the calm one, talking tough while
she fluttered around him. She said his lip was nothing, he just had to suck it
up like a man, instead of whining about it. His knee required a Band-Aid and
some antiseptic, and he might have a couple of small pulled muscles in his
back, but he hadn't lost any function and his spine wasn't involved. "You've got muscles in your neck, which is good. Helps prevent
whiplash," she said. She was kneading his shoulder as he sat in a kitchen
chair, eating an Oreo, tasting a little blood with the crème filling. She was most worried about his left wrist. His teen-aged adoptive daughter, Letty, asked, "What are you
going to do about this?" "Put them in jail," Lucas said. "If it's the last thing I
do." Letty, her arms crossed over her chest, grunted "At
least." He called the St. Paul cops, and a couple of uniforms rolled
around and took a report and suggested he come to the station and look at the
meth files. When they were done, Weather drove him over to the Hennepin County
Medical Center and told the doc on duty that she wanted Lucas' wrists x-rayed.
Because of her status in the place, Lucas got instant service. The doc came back in five minutes, took them around to a
computer screen, tapped on some keys. The x-rays came up on the high-def
screen, and he said, "You busted your left scaphoid." "Ah, God," Weather said. She peered at the digital image.
"Yeah, it's clear." She pointed at a line on a wrist bone. The line looked like somebody had dropped a white hair on the
screen. Lucas said, "It can't be too bad. The bone's about the size of..." "Never mind what it's the size of," Weather said. Lucas tended
to compare the size of almost anything, either large or small, to his dick.
"You'll need a cast." "A cast?" He flexed his wrist. It hurt, but not all that bad.
He looked at the doc, who nodded, and then at Weather. "You've got to be
kidding." "With luck, we can take it off in three months," the doc said.
"A lot of people go six." "What? For that?" He couldn't believe it. A little crack,
barely visible in the x-ray. Weather explained in big words. He didn't know all of the
words, but understood that the carpal bones, of which the scaphoid was one, and
which was once called the navicular because it supposedly looked like a boat,
allowed the wrist to turn and the hand to work. If the bone was cracked, and
didn't heal, it might die, and rot. Then his hand wouldn't work right. That didn't sound good. Forty-five minutes after they walked in, they walked back out
of the emergency room, Lucas with a fiberglass cast from his elbow to knuckles,
and a bottle of hydrocodone in his pocket. "One good thing," Weather said, "it's your left hand." "This cast is like a fuckin' rock," Lucas said. "If I catch
that fuckin' tweeker, I'm gonna use it to fuckin' beat him to death." "That's your daily quota on the f-word," Weather said. "And
don't worry about that guy. If he's as far gone as you say, he's a dead man
anyway." "He's a dead man if I catch him," Lucas said. When they got home, Letty said, "Whoa, that cast's the size
of..." "Never mind," Weather said. The cast was a constant annoyance. Lucas was a touch-typist,
and unable to spread his fingers, had to learn to use the keyboard using only
one finger on his left hand. And he had, over the years, gotten used to
carrying an old-fashioned Colt .45 ACP, which really required two functioning
hands. He switched to a double-action nine-millimeter, but never really liked
it. He couldn't hang onto a steering wheel, though he hardly ever held on tight
with his left hand anyway. The biggest frustration came one day when he was fishing off
the dock at his cabin and hooked into a small bluegill, only to watch the
bluegill get chased down, right at the surface, by what he estimated to be a
two-foot-long large-mouth bass. He got the bass back close to the dock, but he
couldn't just lift it out of the water: he wasn't even sure it was hooked. He
needed to hold the rod in one hand, and use a net with the other... and stood
helplessly looking down at the fish as it ran crazily back and forth, finally
did a heavy-bodied leap, and came off. He was pretty sure, as the fish swam away, that it gave him
the finger. The cast was cut off, momentarily, at three months, and his
wrist was x-rayed again, and the doc said it needed another month. A scum of
dead skin covered his arm, and the muscles looked too thin withered, Lucas
thought. His arm reminded him of the tweeker's too-thin forearm. The doc let
him scrub the dead skin off before he put the new cast on. Under his arm hair,
the new skin was as pink and soft as a baby's butt. "Come back in a month," the
doc said. "In a month, you're good. And lucky. Some people go six." "That's what the last guy said. But he said if I was lucky,
I'd get out in three." "That's really lucky," the doc said. "You're only a little
lucky." The summer of the cast and cell phones, though
meteorologically excellent, was professionally slow. Lucas' job at the BCA was
mostly self-invented, and included politically sensitive cases, or cases that
might attract a lot of media attention. That summer, the politicians stayed
away from ostentatious felonies, as far as anyone knew something could always
pop up at a later date ("I didn't know she was fourteen; honest to God, she
said she was thirty-two.") So Lucas focused on a self-invented, long-term, statewide
intelligence project that involved finding, working and filing police sources
in Minnesota's criminal underworld. The project was kept secret for fear that
it would encounter media ridicule. Most people didn't believe that there
actually was a Minnesota criminal underworld, and those who did the cops
often didn't want to give up sources. Just as in any other state, Minnesota had plenty of crooks.
Ten thousand people sat in prison, from a population a little short of six
million, with a constant coming and going. Of those, quite a few were
one-timers, or criminals of a kind that didn't interest him: repeat drunk
drivers, people convicted of manslaughter or negligent homicide, or
white-collar crime. Those kinds of people were singletons, who generally acted
alone, out of stupidity and greed, and, aside from the drunk drivers, were not
given to repeated mayhem. He was interested in the repeaters, the professionals, the
people who lived and worked in a criminal culture bikers, gang members,
burglars, robbers, pederasts, drug dealers. Lucas had a theory that every
county, and every town, would have a "node" that pulled in criminals of that
area a bar, a bowling alley, a roadhouse. Furthermore, he thought that criminals in one area would know
most of the nodes for the surrounding areas, no matter how urban or rural the
countryside might be, and would be attracted to those nodes when away from
home. He wanted a thousand names of sources who'd talk to the cops,
across that whole web of nodes; at least one or two sources for each. They would all know him by name, and there would be certain
implicit guarantees in their transactions. Like no police
comebacks. To set up his system, he first had to learn about
spreadsheets, and then a bit about computer secrecy: he had no interest in
building a general criminal database, and needed a way to keep the work away
from prying cop eyes. It wasn't that he didn't want to help other cops, it was
just that as soon as more than one person began operating the database, it
would stop functioning. Tipsters wanted a relationship: they didn't
want their names in a cop newspaper, and if they thought that was what was
happening, they'd shut up or disappear. So Lucas had spent the summer talking on the phone, taking
long rides out into the countryside to meet unusual men and women at sandwich
shops and parks, filling out the database. He realized, at some point, what the computer had done for
him. He'd been tempted, at one time or another, to move to a bigger police
agency one of the federal agencies, or to a really large city, like New York
or Los Angeles. He'd not done that because he'd realized that the
Minneapolis-St. Paul area was the largest size he could comprehend. In Los Angeles, a cop was caught in a blizzard of shit, and
there was never any way to tell where the shit was coming from. You get three
murdered in Venice, and the killer was almost as likely to come from Portland
or St. Louis as from L.A.; was likely to be unknown to the local cops. Serial
killers had operated for decades in the L.A., without the cops even knowing
about it. Chaos ruled. That wouldn't happen in the Twin Cities. There were three
million people outside his St. Paul door, but he could just about understand
who was out there, and where the shit was coming from. There were another two million in the state of Minnesota, and
with the help of a computer and a spreadsheet, he was beginning to hope that he
might also come to comprehend the state's criminal base. The rise of the cell phone added another aspect to it: with
the cell phone, an office was anywhere you wanted it to be. At one time, you
might drive out to a crime scene, however many minutes or even hours from the
office, and then drive back to get started on the case. With cell phones, you
could be constantly hooked into a developing web of contacts, sources and
records. The downside, of course, was that you were constantly hooked
into a web of contacts, sources and records, and didn't often have the time
needed to simply think. A side benefit to the construction of the intel network was
that he had time to look for the robbers who'd taken his five hundred dollars
and had broken his wrist. He quickly found out that he'd been right about one
thing: they'd done it before. They'd done it four times on the south side of the Twin Cities
and its suburbs, and a half-dozen more times trailing down I-35 to the south,
which made Lucas think they lived down that way. As he pulled together his intelligence nodes south of town, he
asked about them thin shaky guy, big rough woman, up to their eyebrows in
meth. He hadn't yet found them when, in August, the peace and quiet
ended. The BCA superintendent, who didn't particularly like Lucas,
but found him to be a valuable foil when it came to dealing with political
issues, called him at home as Lucas was working his way through the
Times and a bowl of steel-cut oatmeal, which his wife and daughter
said was good for something it was organic and saved the whales, or lowered
his cholesterol. One of those things; he yearned for a simple glazed doughnut,
but not if it doomed Mother Earth. His cell phone began ringing, and simultaneously rattling like
a snake, on the table next to his hand. "Really big trouble," the superintendant said. "There's gonna
be a lot of media. Shaffer and his crew are on the way. You'd better get out
there too, so you're up to speed. I'm trying to find Rose Marie to tell her
about it..." Murder, he said. An entire family slaughtered. Lucas backed the Porsche out of his garage, and found a grey
sky and a cool day going cold; rain coming, disturbing the summer, hinting at
what all Minnesotans knew in their bones: winter always comes. The death house sat down a leafy blacktopped lane, a stone,
brick and white-board lakeside palace where the Great Gatsby might have lived,
made for summer soirees with mimosas and mint juleps. The deep-green summer
trees grew in close and dense, so thick that even nearby noises seemed muffled
and distant, and a perfect lawn dropped down a gentle slope to Lake Minnetonka.
A floating dock stuck into the lake like a finger; a fast fiberglass cruiser
was tied to one side of the dock, an oversized pontoon boat to the other, ready
to party. The scene was dead quiet, except for the moaning wind in the
trees. The incoming clouds were so grey and low, the house so touched with a
cool decorator chic, a tightness, a foreboding, that a Hollywood camera
corkscrewing down the lane to the front door would have automatically hinted at
horrors to be found behind the well-scrubbed window glass. A crazy housewife
with poison, a husband with a meat cleaver in his hand, a couple of robotic
kids with a long-barreled revolver and blank grey eyes... None of which would have done justice to the real horror
behind the doors. Lucas got to the house at a little after eleven o'clock in the
morning, and walked back out on the front porch five minutes later, looking for
a breath of fresh air and maybe a place to spit, to get the taste of death out
of his mouth. He was a tall, hard, very rich man with broad shoulders and a
hawkish nose, wearing a two-hundred dollar white shirt and a dark blue Purple
Label suit with a red Hermes necktie, the necktie twisted and pulled loose
behind the knot. His face was tanned, and the thin white line of a scar dropped
across one eyebrow onto his cheek; another white scar showed in the pit of his
neck, where a young girl, barely into her teens, had shot him with a street
pistol that he hadn't seen coming. He rubbed his face with the fingers of his left hand, which
protruded from a slightly dirty-looking cast. Del Capslock followed him out on
the porch. Del looked back over his shoulder and said, "I don't think I've ever
been to a crime scene this quiet." "Whatta you gonna say?" Lucas asked. He sniffed at the cast.
Nasty. He needed to wash it again. "You know what freaked me out?" Del asked. "It wasn't the
kids. It was the dogs. The dogs couldn't tell us anything. They weren't
witnesses. They weren't attack dogs. Two miniature poodles and a golden
retriever? They killed them anyway. Hunted them down. They were killing
everything, because they liked it." "I don't know. There's a lot going on in there," Lucas said.
"Maybe they killed the dogs first, to extort information. Went around and shot
them just to prove that they'd do it. Then the boy, then the wife and daughter,
then the guy. They wanted something from the guy." "We don't know they did it that way," Del said. Del was too
thin grizzled, some would say unshaven, dressed in jeans and a T-shirt and
Nike cross-trainers. The T-shirt said Menard's, which was a local
building supply chain. His comment reflected an ingrained skepticism about any
unsupported assertion: he wanted facts. "I feel like they did," Lucas said. He was more comfortable
with assumption and speculation than Del. He looked up and down the street,
past the cluster of official cars and vans. He could see pieces of two houses,
one in each direction. There were more along the way, but out of sight. "The
thing is, they shot the dogs, that's three shots. They shot the boy three or
four times. That's a lot of gunshots. Even in a neighborhood like this, with
the doors closed and the air conditioners going, and boats... that's a lot of
shots. Makes me think they had silencers, makes me think they were pros, here
for a reason. Then the guy, they go to work with a knife. They started out
terrorizing him, ended up torturing him." "Drugs?" "Gotta be. Gotta be, here in the Twin Cities. Too calculated
for anything else. Shaffer says the guy ran a software place that peddles
Spanish-language software down in Mexico. It looks custom-made as a money
laundry," Lucas said. He looked back into the house, though he couldn't see
anything from the porch. Del said, "Here's something." Lucas turned back to see a lone patrolman jogging back down
the street. He was overweight, and his stomach jiggled as he ran. The patrolman
cut across the lawn. "The neighbors," he said to Lucas. He was red-faced and seemed
to run out of words, tried to catch his breath. "Yeah?" "The neighbors, the Merriams, they're three houses down." The
cop pointed down the street. "The husband, Dave, saw a van parked in the
driveway yesterday afternoon. He saw it three times, coming home, going out,
and coming back from town. There for a couple hours, at least. He says it was a
blue van, a Chevy, and he says the first three letters of the plate were S-K-Y.
He thinks it stuck with him because of sky-blue. Sky on the plate and blue on
the van." Lucas nodded. "Okay, that's good stuff." He turned and yelled
back into the house. "Shaffer? Shaffer?" He said to the cop, "Go tell that to
Shaffer. We need to run that right now." The cop went inside and Del asked, "What are we going to
do?" Lucas shrugged: "Call everybody. Look for blue vans. Push the
DNA on the wife and daughter... I wouldn't bet on semen. If they were
professionals, they were probably wearing rubbers. We might pick up some blood
or something, maybe one of them scratched or bit somebody." Del nodded. "You look around the house, around the
neighborhood, and it's screaming rich. Could have been a couple of crazy dopers
thinking they kept a lot of money in the house..." Lucas said, "Nah." Del scratched an ear and then said, "All right." "They were looking for something," Lucas said. "It looks like
drugs. It looks like that stuff in Mexico. So harsh. So cruel." "Maybe they'll pop right up in the DNA bank," Del said. "Fat chance." "Yeah." Del looked up in the sky. "It's gonna rain." "We need it," Lucas said. "Been hot for a long time. First
cool day in a while..." "Fall's coming," Del said. They went back inside, where an agent named Bob Shaffer was
talking to the patrolman. When he saw Lucas, he said, "Maybe a break." Lucas nodded, once. "Anything more?" "Romeo's worked out a sequence. I think it's probably
right." Romeo was a lab tech, a short man with a swarthy complexion, a
fleshy nose, and a neat little soul patch that actually looked good. Lucas and
Del found him in the living room, looking at the dead adult male, a notebook in
his hand. He might have been taking inventory in a dime store. But the living
room didn't smell like a dime store; it smelled like the back room at a meat
locker. The dead man, who was almost certainly named Patrick Brooks,
45, blond, once good-looking with big white Chiclet teeth, lay on his back, on
the living room carpet, in a drying circle of blood. His arms, down to his
elbows, were taped to his sides with ordinary duct tape. There were no fingers
on his hands: they'd been cut off, one knuckle-length at a time, and lay around
the room like so many cocktail wieners. He had no eyes they were over by the
television. His pants had been pulled down to his knees; he'd been castrated.
They'd cut off his ears, but left his tongue, probably so he could talk. He had
apparently died while the killers were cutting open his abdomen, because they
hadn't finished the job. "Shaffer said you have a sequence," Lucas said. "I think so," Romeo said. He ticked his yellow pencil at the
dead man. "He went last. I think they came in with guns, to keep everybody
under control. Rounded them up, taped them up, put them on the floor. They
started out shooting the dogs. The golden got it right here, the poodles ran
into the kitchen. Shot them there. Did the wife next: Candace. Raped her, beat
her, whatever, then cut her throat. Then the kid, uh, Jackson, started
screaming or struggling or something, and they shot him: some of the blood
splatter and brain tissue from the head shot landed on his mother's leg, which
was already naked, and didn't move after the blood landed on it." "So she was dead first," Del said. "Right. Then, they did the daughter, Amelia. She's pretty
messed up, so I'm thinking... they did a lot of stuff to her. The ME'll have to
give you that. Then they cut her throat. She bled out, and you can see, there
are a couple finger joints on her blood, it looks like they rolled across her
blood and picked some of it up..." "Unless it's his blood," Del said. "No, it looks like they rolled across wet blood... I think
it'll turn out to be hers." "Like we were talking about," Lucas said to Del. "They wanted
something from him; or they were sending a message." "Did they bring the knives, or use the kitchen knives?" Del
asked. "Brought them. The knife block is full. Looks like razors, or
scalpels, and for some of it, it was probably pliers, side-cutters. You get
that kind of crushing-cut with side-cutters. They knew what they were going to
do," Romeo said. "Then they wrote on the wall," Lucas said. They all turned and
looked at the wall, where a bloody message said, "Were coming." No
apostrophe. "Yeah... they took a couple of the finger joints and used them
like markers. The joints are the ones on the couch, they've got wall paint on
them, like chalk. We're hoping we might get some DNA, but I'll bet you anything
that they were wearing gloves." "Didn't gag them; had the tape, but didn't tape their mouths,"
Del said. "I think they wanted them to talk back and forth. I think they
wanted them to hear each other dying," Lucas said. "That would be the gloomy interpretation," Romeo said. "You got another one?" Lucas asked. "No, I don't," Romeo said. "You're probably right. One thing:
we've got precision, rather than frenzy. Del was talking before, about maybe
some crazy guys. I don't think so. I think it was cold. It feels that way to
me. Three or four guys." Lucas looked at the bodies; at the mess. "What about DNA? Any
chance?" "Oh, yeah. We'll get some DNA," Romeo said. "We'll get sweat
or skin cells off the woman's or the girl's thighs, if no place else." Del said, "If they're professionals, they'll know that sooner
or later, they'll do time, and if they pop up in a DNA bank, they'll go down
for this. So, I'm thinking, they're not too worried about DNA banks." "Because they're stupid?" Romeo suggested. "No," Del said, surveying the shambles. "It'd be because
they're not from here. They're from some place else. Mexico, Central America.
Could be Russia." "Good thought," Lucas said. Shaffer called from the next room: "Hey, Lucas, Rose Marie's
here." "Got it," Lucas said. Rose Marie Roux, the commissioner of public safety, once state
senator, once Minneapolis chief of police, once for a short time a street
cop, was coming up the sidewalk. She was a stocky woman in a blue dress who
looked a lot like somebody's beloved silver-haired mother, except for the
cigarette that dangled from her lower lip. She was a quick-study, and a
long-time winner in the back-room battles at the Capitol. She shook her head at Lucas: "I'm not going in there. I don't
want to see it," she said. "I do need something to tell the media." "They're all four dead," Lucas said. "Patrick Brooks, his
wife, son and daughter. Tortured, the females raped. I wouldn't give them any
detail just, brutally murdered." "Is there anything... promising?" Roux asked. "No, not that I've seen," Lucas said. "It looks professional.
Brutal, impersonal. Meant to send a message. We might never find them, truth to
tell." "I don't want to tell three million people that we're not
going to catch them," Roux said. "So, say that we're looking at some leads, that we have some
definite areas of interest that we can't talk about, and that we'll be doing
DNA analysis," Lucas said. "Do we actually have any possibilities? Or am I
tap-dancing?" "One," Lucas said. "They wrote on the wall, 'Were coming,' no
apostrophe in the were. But that suggests... suggests... that they may be
looking for somebody else. The way they did this, looks like there may have
been an interrogation. Like they were questioning Brooks, trying to get
something out of him, and he didn't have it." She mulled that over for a few seconds, then said, "Excuse me,
but did you just tell me that they might do this again? To somebody else?" "Can't rule it out," Lucas said. " "That's bad. That's really bad," she said. "Gives us another shot at them," Lucas said, looking on the
bright side. "Ah, jeez... Who's got the detail?" "Shaffer." "Okay." She mulled that over for a minute, then said, "He's
competent. But keep talking to him. Keep talking to him, Lucas." "What are you doing out here?" Lucas asked. "Is there some
kind of... involvement?" He meant political involvement. "Yeah, some marginal engagement," she said. "Candace Brooks
was going to run for something, sooner or later. Probably the state senate,
next year, if Hoffman retires. The Brookses maxed out contributions for the
major offices last few elections, and they're strong out here in the local
party... but, it's not any big political thing." "So it won't make any difference if we find out that they were
running a drug-money laundry, and giving cash to the local Democrats?" She shrugged, a political sophisticate: "It'd hurt for about
four minutes. Then, not. But, you know, they were our people." She meant
Democrats. Del asked, "So what are you going to tell the media?" She looked him up and down, raised her eyebrows, and said,
"Jesus, Del, you look like you just fell out of a boxcar." "Professional dress," Del said. "Around home, I wear Ralph
Lauren chinos and Tiger Woods golf shirts." She made a rude noise and turned to look down toward the end
of the street, where the media was stacked up, out of sight. "I'll tell them
the truth, just not all of it four brutal murders, motive unknown. That we've
got lots of leads and expect to make an arrest fairly quickly." "That'd scare the shit out of me, that promise, if anybody had
an attention span longer than two seconds," Lucas said. "That's what we're working with," Roux said. "Though I have to
say as the state's chief law enforcement official, I do expect you to catch
them." She poked Lucas in the chest. "You." Lucas walked halfway down the block and watched from a
distance as Rose Marie spoke to the media. She gave them the basics, and
nothing more. She stood in a neighbor's lush green yard, a mansion in the
background, with the media in the street. She used the word brutal, and refused
to enlarge upon that. That was accurate, but, in the eyes of the reporters,
inadequate. One of them knew a cop who was working the roadblock, and
Channel Eleven headlined his comments: rape, torture, murder. Finger joints,
eyeballs, castration, throats cut with razors. The message on the wall. "We're
coming" the producer supplied the missing apostrophe on the phonied-up
blue-screened graphic behind the anchor woman. The Channel Eleven report set off a media firestorm, which
intensified when another station "confirmed rumors from earlier today..." The media was large in the Twin Cities. A juicy murder would
go viral in seconds. Rumors of the massacre at the Brooks' house swept through
Sunnie Software minutes after the bodies were discovered. Patrick Brooks had
been scheduled to meet with marketing and development and hadn't shown up.
Neither he nor anyone else answered the home phone, and his cell phone rang and
was never picked up. The vice-president for sales, named Bell, had a bad feeling
about it. A lawyer friend of Bell's lived near the Brooks home, and Bell asked
the lawyer to call his wife, who ran over and found the front door cracked
open. Nobody answered her call, so she pushed the door open with a
fingernail, and peeked inside... Started screaming. As she ran back down the street, she called 911, and then her
husband, who called back to Sunnie with a garbled story of blood and
murder. The cops came, and then the BCA. Then the media, ambushing employees in the street. "This is really fucked," said one of the account managers, a
young man with hair to the middle of his back. "Who are they going to suspect,
huh? The guy with the hair..." "Rob, stop thinking about yourself," one of the women said.
"They're all dead..." "But who are they gonna think did it?" Rob cried. Several of them told him to shut up; and guiltily gave thanks
for their neatly coiffed hair. The murder story caught Ivan Turicek and Kristina Sanderson at
work in the systems security area at Hennepin National Bank. Sanderson was
getting ready to go home: she worked the six-to-two shift, while Turicek came
in at noon and took it until eight. They were alone, with a bank of computers.
Turicek had seen a fragment of a story on a television in the Skyway, and now
had one of the computers set to catch the web broadcast from Channel
Eleven. Channel Eleven was the one with the source: rape, torture,
murder, eyeballs, castration... "We're coming" with an apostrophe. "Oh my God, what have we done?" Sanderson blurted, staring at
the screen. A thin schizophrenic with blond, frizzy hair and a fine white
smile, when she used it, she was pale as a sheet of printer paper, one hand to
her mouth. Turicek shook his head: "Not us." "Ivan, I don't want to be bullshitted," Sanderson said, as she
looked down at the flat panel. "This was us and you know it." They were alone in the security area, but cameras peered down
at them from the end of the work bay. They supposedly didn't record sound, but
Turicek was an immigrant from Russia, and never believed anything anybody said
about limits of surveillance. In his experience, somebody was always
listening. He said, "Shh." Then, after a moment, "We need to call Jacob.
Or you should go see him. He's probably still asleep, doesn't know about
this." She looked at her watch: two o'clock. Nodded. Jacob Kline
normally worked an eight-to-four shift, but was out, sick, again. "Yes. I
should probably go see him." "And it wasn't us," Turicek said again. He turned to her,
worried. Sanderson suffered from a range of mild psychological disorders, and
he considered her fragile. She didn't use meds, and the bank put up with her
occasional acting-out, because she was also obsessive-compulsive when it came
to the neatness of numbers. If a number was out of place, Sanderson could sense
it, and push it back where it belonged. That made her an excellent programmer and an asset for a bank.
But still, she was a head case, and, at times, delicate. "One thing I learned
in Russia is, if you didn't do it, you didn't do it," Turicek said, pressing
the case. "You're not responsible for what other people do. You can't be; if
you are, there's no end to the chain of responsibility, so then, nobody winds
up being responsible." "I don't need a philosophical disquisition; I was a philosophy
major for three semesters," Sanderson snapped. "We need to be calm," Turicek said. "We keep working, we keep
our heads down. We know nothing. We know nothing." "What about the 'We're coming?' If they get to us? Eyeballs
gouged out and cut throats? No thank you. No thank you!" Turicek dropped his voice. "Twenty million," he said. "Twenty
million dollars." That stopped her. Her eyes narrowed, and she said, "More like
twenty-two, now. We need to call Edie: it's time to get out." "How much more is in the system?" Turicek asked. "Two million. Not enough to risk moving. Time to finish the
harvest," she said. "I agree. You go see Jacob, I'll call Edie." Edie Albitis freaked when she heard. She was standing on the
Vegas strip, outside of Treasure Island; it was a hundred and five degrees and
an obscenely fat woman was rolling down the sidewalk toward her, carrying a
small dog and wearing what looked like a tutu. "I'm the one who's dangling in
the wind out here," she said into her cell phone, one eye on the fat woman. She
didn't want to get run down. "The banks have about a million pictures of
me." "But they don't know it," Turicek said in his most comforting
tone. "In every one, you look like the Sultaness of Istanbul." Albitis was wearing a hijab, a traditional Arabic
women's robe, and, though even most conservative Arab states allowed an
uncovered face, she also wore a niqab, or veil. These were somewhat culturally
uncomfortable for a woman who'd danced both topless and bottomless, sometimes
simultaneously, in both Moscow and New York, whose parents were Jews now living
in Tel Aviv, which was where she picked up her Arabic; and who was blond, to
boot. But, if you were doing major money laundering through America's finest
banks, it was best to show as little skin as possible when you were setting up
the accounts. She did speak Arabic well enough to fake her way past North
African Arabs, or Iranians who got most of their Arabic from the Koran, but if
she ran into a Jordanian, or a Lebanese, or an Iraqi, she could be in trouble.
Of course, most Arabs working in American banks seemed to be Jordanians,
Lebanese or Iraqis. That was just the way of the world, she thought: set up to
fuck with you. "Who the hell did it? This killing?" "The police don't know. They're investigating," Turicek
said. "Ah, god. It'll take me a week to clear out the
accounts..." "No, no. We're going to leave it," Turicek said. "Kristina is
correct: there's not enough for the risk involved. What if we just buy what
we've already got on-line, and collect what we've already paid for?" Albitis thought about it for a moment, then said, "If I run, I
can do it in three or four working days." "Then do that. Are we still solid with the dealers?" "Yes. They won't ask any questions as long as the wires keep
coming," Albitis said. "But they won't ship the gold until they clear the
transfers. That's a full day, sometimes. They know that when the gold is gone,
it's gone." "I can't leave here right now," Turicek said. "Not with these
murders. We need to be really quiet. I doubt they'll even talk to us, but if
they do show up, we all need to be here." "Shit. Why'd this have to happen right now? Another week..."
Albitis pulled at her lip, through the veil. "All right, listen: let me think
about this. I don't know if I can widen out the number of dealers, so I'm going
to have to make up some bullshit story and sell it to the ones we've got. Some
reason to jack up the purchases. There are not that many goddamn Arab women
running out the door with a quarter-million in gold. You know what I'm
saying?" "I know what you're saying, but what I'm saying is,
we might not have a choice," Turicek said. Getting the gold was the touchy part. There were gold dealers
all over the place, and they sold a lot of gold but they might start to
wonder if the amounts got too big. They might wonder about drugs, or spies, or
terrorists, or something... She didn't need to walk into a dealer's office, and
find the FBI waiting for her. "Just routine, ma'am..." they'd say, and then
discover a blonde with a shaky passport. "So we're getting out," Turicek said. "Jacob will go
along." "You've got to watch Jacob," Albitis said. "I know. We will. Kristina has him under control." "They're both nuts." "And I'm watching both of them." "Okay. Do that, Ivan. I'll start right now. I was going to set
up four more accounts this afternoon, but I'll quit and get out of here. Get
down to L.A., make some pickups, put in some more orders," Albinis said. "Make
up my story." "Be careful," Turicek said. "If you feel anybody is looking at
you, quit. Better to take what we've got now, than spend the next twenty years
in prison. Or have these crazy people come down on us." "I thought it was a hedge fund," Albinis said. "This isn't
something a hedge fund would do." "No, it's more like the fuckin' Vory," Turicek said,
and he shuddered as he said it. If they'd stolen from the Russian mob, the mob
would want both the money and their heads; or, if forced to choose, just their
heads. "Jesus," said Albinis. She glanced nervously up and down the
street: the fat woman was receding in the distance. Albinis worried about her
epithets. Being disguised as observant Muslim woman was fine for handling bank
cameras, but as a natural-born wise ass, she'd never been that good at
controlling her language. Did conservative Arab women walk around blurting out, "Jesus
Christ," or "Holy shit?" She suspected they did not. "All right," she said.
"I'm running." While all that was going on, three Mexican males were checking
out of the Wee Blue Inn in West St. Paul, fifteen or twenty minutes apart. The Wee Blue Inn catered to hasty romances and to men who
arrived on foot, who really needed a shower and a few hours' sleep, a sink to
wash their clothes in, and who had no credit card to pay with. Didn't bother
the owner: cash was as good as credit, but you had to have the cash. The Mexicans had checked in two days before, a half hour
apart, small young men two of them were still teenagers but with muscles in
their arms and faces, no bellies at all; and with hard eyes that reminded the
owner of the obsidian-black marbles of his childhood, the ones called
peeries. They checked in a half hour apart, and got separate rooms, but
they were together. The owner didn't ask them any questions. That didn't seem
prudent. An illegal Latino was cleaning up around the place, saw them check in,
and told the owner he was going to take the next day or two off. "I didn't hire you to take no days off," the owner said. "I take them anyway," the illegal said. "You wanna fire me, so
fire me. I'm going." He went. It occurred to the owner that the temporary departure of his
wage slave might have something to do with the small men. Once again, it didn't seem prudent to ask. In certain businesses, prudence is mandatory. |
18 February 2012 The Prey series, the Virgil Flowers series,
the Kidd series, The Night Crew, Dead Watch, The Eye
and the Heart: The Watercolors of John Stuart Ingle, and Plastic
Surgery: The Kindest Cut are copyrighted by John Sandford. All excerpts are
used with permission. All original content on the website (excluding the message
board and some other specifically disclaimed text) is copyright © 2011 by
Roswell Anthony Camp. Please do not steal anything from these pages. If you
want to borrow something, write and ask first. Help keep moofs happy. | |