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![]() The Prey Series Wicked Prey Virgil Flowers The Kidd Series Other Novels Etcetera | Wicked Prey The Prey series contains strong language and scenes
of graphic violence and sex, and it may thus be inappropriate or offensive to
some readers. The excerpt below is the complete first chapter of
Wicked Prey, and it has not been censored in any way. If you are
offended by this sort of material, or will get in trouble for reading it (e.g.
if your parents think it would be inappropriate for you), do not
continue. Thank you. Randy Whitcomb was a human stinkpot, a red-haired cripple with
a permanent cloud over his head; a gap-toothed, pock-faced, paraplegic crank
freak, six weeks out of the Lino Lakes medium-security prison. He hurtled past
the luggage carousels at Minneapolis-St. Paul International Airport, pumping
the wheels of his cheap non-motorized state-bought wheelchair, his coarse red
hair a wild halo around his head. "Get out of the way, you little motherfucker," he snarled at a
blond child of three or four years. He zipped past the gawking mother and tired
travelers and nearly across the elegant cordovan shoe-tips of a tall bearded
man. "Out of the way, fuckhead," and he was through the door, the anger
streaming behind him like coal smoke from a power plant. The bearded man with the elegant cordovan shoes, which came
from a shop in Jermyn Street in London, leaned close to his companion, a
dark-haired woman who wore blue jeans and a black blouse, running shoes and
cheap oversized sunglasses with unfashionable plastic rims. He said, quietly,
in a cool Alabama accent, "If we see yon bugger again, remind me to crack his
skinny handicapped neck." The woman smiled and said, "Yon bugger? You were in England
way too long." Brutus Cohn, traveling under the passport name of John Lamb,
tracked the wheelchair down the sidewalk. There was no humor in his cold blue
eyes. "Aye, I was that," he said. "But now I'm back." Cohn and the woman, who called herself Rosie Cruz, walked
underground to the short-term parking structure, trailing Cohn's single piece
of wheeled luggage. As they went out the door, the heat hit them like a hand in
the face. Not as bad as Alabama heat, but dense, and sticky, smelling of burned
transmission fluid, spoiled fruit and bubble gum. Cruz pushed the trunk button
on the remote key and the taillights blinked on a beige Toyota Camry. "Ugly car," he said, as he lifted the suitcase into the trunk.
Cohn disliked ugly cars, ugly clothes, ugly houses. "The best-selling car in America, in the least
attention-getting color," Cruz said. She was a good-looking woman of no
particularly identifiable age, who'd taken care to make herself mousy. She wore
no makeup, had done nothing with her hair. Cohn had once seen her in Dallas, where women dressed up, and
she'd astonished him with her authentic Texas vibe: moderately big hair,
modestly big lipstick, two-inch heels, stockings with seams down the back; her
twice-great-grand-uncle might have died at the Alamo. Cruz, when working,
dressed for invisibility. She fit in Dallas, she fit in Minnesota, she fit
wherever they worked she was wallpaper, she was background. She took the
driver's side, and he sat on the passenger side, fiddling with the seat
controls to push it all the way back. At six-foot-six, he needed the leg
room. "Give me your passport and documents," Cruz said, when the air
conditioning was going. He took a wallet out of his breast pocket and handed it over.
Inside were a hundred pounds, fifty euros, fifty dollars, an American passport,
a New York state driver's license, two credit cards, a building security card
with a magnetic strip, and a variety of wallet-detritus. The whole lot, except for the passport and currency, had been
taken from the home of the real John Lamb by his building superintendent, who
was a crook. Since the credit cards would never be used, noone would be the
wiser. The passport had been more complicated, but not too a stand-in had
applied by mail, submitting a photograph of Cohn, and when it came to Lamb's
apartment, it had been stolen from the mailbox. As long as the real Lamb didn't
apply for another one, they were good. Cruz took out the currency and handed it back to Cohn, tucked
the wallet under the car seat and handed over another one, thick with cash.
"William Joseph Wakefield Billy Joe. Everything's real, except the picture on
the driver's license. Don't use the credit cards unless it's an
emergency." "Billy Joe." Cohn thumbed through the cash. "Two thousand
dollars. Three nights at a decent hotel." "We're not staying at a decent hotel," Cruz said. She reached
into the back seat, picked up a baseball cap with a Minnesota Twins logo, and
said, "Put this on and pull it down over your eyes." He did, and with his careful British suit, it made him look a
bit foolish. She wouldn't have given it to him without a reason, so he put it
on, and asked, "Where're we set up?" She backed carefully out of the parking space and turned for
the exit. "At the HomTel in Hudson, Wisconsin, just across the state line from
here. Thirty miles. Two hundred and twenty dollars a night, for two rooms for
you, adjoining, which is twice as much as they're worth, but with the
convention in town, you get what you can. I'm upstairs and on the other side of
the motel." "Where're the boys?" "Jesse's across the street at the Windmill, Tate is at the
Cross Motel, Jack is at a mom-and-pop called Wakefield Inn, all in Hudson. All
within easy walking distance from the HomTel." Multiple nearby rooms in
different hotels made it easier to get together, and also easier to find an
emergency hideout if the cops made one or another of them. They could be off
the street in minutes, in a motel where they'd never been seen by the
management. Standard operating procedure, worked out and talked-over in
prisons across the country. Cohn nodded and said, "Okay." "I almost went home when you invited Jack back in," Cruz said,
threading her way through the concrete pillars of the parking ramp. "Better to have him inside the tent pissin' out, than outside
the tent pissin' in," Cohn said. "I don't know what that means," she said. "It means that when he gets picked up and I do mean when,
it's only a matter of time he'll try to cut a deal," Cohn said. "We're one of
the things he's got. I need to talk to him." "He'd cut a deal whatever we do." "No. Not really. I've thought on that," he said, in an accent
that spoke of the deep southern part of Yorkshire. "There are circumstances in
which he would not cut a deal, no matter what the coppers might have offered to
him." "You've got to lose that bullshit British syntax, right
now," Cruz said. "You're Billy Joe Wakefield from Birmingham, Alabama.
You need khakis and golf shirts." "Give me two minutes listening to country music," Cohn said.
"That'll get 'er done." "Anyway, about Jack..." "Let it go," he said. "I'll take care of Jack." "Okay," she said. "Put your sunglasses on." At seven o'clock, the sky was still bright. Cohn took a pair
of wrap-around sunglasses from his jacket pocket and slipped them on. At the
pay booth, Cruz dropped the window and handed ten dollars to a Somali woman in
a shawl. Cruz got the change from the ten, and a receipt, rolled the window
back up, pulled away from the booth and handed the receipt to Cohn. "Check it out," she said. He looked at the receipt, said, "Huh. The tag number's on
it." "There's a scanning camera at the entrance," Cruz said. "I'm
wondering if it might digitize faces at the same time that it picks up the
license plates hook them together, then run them through a facial recognition
program." "Would that be a problem?" "Not as long as somebody doesn't put your face in the car with
your face in the FBI files," she said. "That's not a question with me, of
course." "Got the beard, now," he said. "And the hat and glasses. I cut
the beard off square to give my chin a different line. I was wondering about
the baseball hat..." They rode along for a minute or two, as she got off the
airport and headed into St. Paul, past the confluence of the Minnesota and
Mississippi Rivers. Even in the middle of a big urban area, the river valleys
had a wildness that reminded him of home in Alabama. In Britain, even the wild
areas had a groomed look. "Jack, I can't get him off my mind. I'm sorry..." "Never mind Jack." He was looking out the window. "You almost
went home, huh? That'd be... Zihuatanejo?" "Never been to Mexico in my life, Brute," she said with a
grin. "Give it up." "With a name like Cruz, you gotta have been in Mexico." Her eyes flicked to him. "Why would you think my name is
Cruz?" He laughed, and said, "Okay." But she looked like a Cruz. She clicked on the radio, dialed around, found a country
station. "Instead of worrying about where I'm from, see if you can get the
Alabama accent going." The first song up was Sawyer Brown singing "Some Girls Do,"
and Cohn sang along with it, all the way to the end, and then shouted, "Jesus
Christ, it's good to be back in the states. The United Kingdom of Great Britain
and North Ireland can go fuck itself." Randy Whitcomb, Juliet Briar and a man whose real name might
have been Dick, but who called himself Ranch, lived in a rotting wooden house
on the east side of St. Paul, that sat above a large hole in the ground called
Swede Hollow; once full of houses full of Swedes, the hole was now a neglected
public park. Whitcomb was a pimp. He'd become a pimp as soon as he could,
after his parents had thrown him out of the house twelve years earlier. He
liked the idea of being a pimp, and he liked TV shows that featured pimps and
pimp-wannabes and his finest dream was to own a Mercedes Benz R-Class
pimpmobile in emerald green. He enjoyed the infliction of pain, as long as he
wasn't the object of it. Briar was his only employee. A heavy young woman who wore a shapeless grey dress, her hair
was the sad tatters of a curly perm gone old. She sat half-crouched over the
steering wheel of Whitcomb's handicapped van, and alternately chirped brightly
about the sights on the street, and sobbed, pressing her knuckles to her teeth,
fearing for what was coming. What was coming, she thought, would be a whipping
from Whitcomb, with his whipping stick. He'd broken the stick out of a lilac hedge a block from their
house. A sucker, looking for light, the branch had grown long and leggy, an
inch thick at the butt, tapering to an eighth of an inch at the tip. Whitcomb
had striped the bark off with a penknife; the switch sat, white and naked,
spotted here and there with blood, in the corner of the room next to his
La-Z-Boy chair. He'd beaten her with it three times over the summer, when her
performance had sagged below his standards. He liked the work. He couldn't stand up, so he made her drop
on the floor like a dog, on her hands and knees, while he sat on his chair and
whipped her with the switch. The thing was limber enough that it didn't break
bone he wouldn't have cared, except that broken bones would have kept her
from waiting on him but it did maul her skin. So she laughed and chirped and
pointed and giggled and then sobbed, the fear rising in her throat as they got
closer to the house. They couldn't afford a van equipped for handicapped drivers,
and Whitcomb hadn't been trained on one anyway. They did get one with a
hydraulic ramp, bought used and cheap through CurbCut, a St. Paul charity. At
the house, Briar parked next to a wooden ramp built by Make a House a Home, and
Whitcomb dropped the ramp and rolled out of the van, used the remote to retract
the ramp and close the van door. He hadn't spoken a word since the airport, but
his breath was coming in fast chuffs. Whitcomb was getting himself excited, though, of course,
nothing would come of it. He'd taken the bullet low in the spine, and he'd not
have another erection in this life. Now he spoke: "Inside." "The light's on," Briar said. She stopped. She was sure she'd
turned the lights off as they left. "I turned them off." She was stalling, Whitcomb thought. "Ranch must be up." "Ranch is not up." Stalling. The crazy bitch had got the flight wrong, and now a
pharmaceutical salesman was wondering why he couldn't find his sample case, and
somebody else was wondering why a green nylon bag was going round and round on
a baggage carousel somewhere else. Eventually they'd look in it, and find the
sample case, and put two-and-two together, and the whole goddamn racket could
come down around their ears. She was stalling. "In the house," he said. "The light..." He shouted at her now: "Get in the fuckin' house..." She turned and climbed the ramp, unlocked the door and pushed
inside, holding the door for him, and he bumped over the door jamb and turned
toward the living room and accelerated. Moving too fast to turn back. And there
were the Pollish twins, Dubuque and Moline, sitting on the couch, big bulky
black men with corn-rowed hair, drop-crotch jeans and wife-beater shirts. Ranch was lying in a corner on a futon, face down, mouth open,
a white stain under his chin, breathing heavily. Moline had one of Whitcomb's beers in one hand and a
piece-of-shit .22 in the other. The twins were managers in the sexual
entertainment industry, and were known around the St. Paul railroad tracks as
Shit and Shinola, because stupid people found them hard to tell apart. The cops
and the smarter street people knew that Dubuque had lost part of his left ear
in a leveraged buyout on University Avenue. Moline pointed the gun at
Whitcomb's head and said, "Tell me why I shouldn't shoot you in the
motherfuckin' head." "What are you talking about?" Whitcomb asked. "What are you
doing in my house?" He rolled across the room to Ranch and jammed the
foot-plate on the wheelchair hard into Ranch's ribs: "You alive?" Ranch groaned, twitched away from the pain. The door slammed
in the kitchen. Dubuque jumped and asked, "What was that?" "Woman runnin' for the cops," Whitcomb said. "She knows who
you are. You're fucked." Moline looked at the front door, then asked, "Why you running
Jasmine down my street?" "Jasmine?" Whitcomb sneered at him. "I ain't seen her in two
weeks. She's running with Jorgenson." "Jorgenson? You pullin' my dick," Moline said. "Am not," Whitcomb said. "Juliet's all I got left. Jasmine got
pissed because I whacked her lazy ass with my stick, and she snuck out of here
with her clothes. The next thing I hear, she's working for Jorgenson. If find
her, she's gonna have a new set of lips up her cheek." Dubuque said to Moline, casually, "He lying to us." "Juliet knows us, though," Moline said. He was the thinker of
the two. "I'm not lying," Whitcomb said. Moline stood up, pulled up his shirt, stuck the .22 under his
belt and said, "Get the door, bro." Whitcomb figured he was good: "You next time you motherfuckers
come back here..." Dubuque was at the front door, which led out to the front
porch, which Whitcomb never used because of the six steps down to the front
lawn. "We come back here again, they gonna find your brains all over
the wall," Moline said, and with two big steps, he'd walked around Whitcomb's
chair, and Moline was a large man, and he grabbed the handles on the back and
started running before Whitcomb could react, and Dubuque held the door and
Whitcomb banged across the front porch and went screaming down the steps, his
bones banging around like silverware in a wooden box. The whole crash actually took a second or two, and he wildly
tried to control it, but the wheels were spinning too fast, and there was never
any hope, and he pitched forward and skidded face-first down the sidewalk, his
legs slack behind him like a couple of extra-long socks. Moline bent over him, "Next time, we ain't playing no
pattycake." Juliet showed up three or four minutes later, crying, "Oh,
god, oh, god. Are you all right, honey? Are you all right? The cops are
coming..." Whitcomb had managed to roll onto his back. Most of the skin
was gone from his nose, and he was bleeding from scrapes on his hands and
forearms and belly. He started to weep, slapping at his legs. He couldn't help
himself, and it added to the humiliation. "Davenport did this to me," he said.
"That fuckin' Davenport..." Brutus Cohn didn't have much to unload. He tossed his suitcase
on the motel bed and said, "I need to take a walk haven't been able to walk
since I got on the train in York. You get the guys together. See you in a half
hour." Cruz nodded and picked up a pen from the nightstand and handed
it to him: "Write my room number in your palm. Remember it." Cohn wrote the number in his palm and Cruz led the way out,
and he said, "See you in a bit, babe," and gave her a little pat on the ass.
She didn't mind, because that was just Cohn being Cohn, no offense meant. So Cohn took a walk, looking up and down the street. They'd
gotten off at Exit 2 in Wisconsin, a major fast-food and franchise intersection
outside the built-up part of the metro area. From the front of the motel, straight ahead, he could see a
Taco Bell, which made his mouth water, and a McDonald's, both a block or two
away. Closer, an Arby's, Country Kitchen, a Burger King and a Denny's. To his
right, across the main street off the interstate, a Buffalo Wings, a Starbucks,
a Chipotle and a couple of stores. To his left, a supermarket, a liquor store,
some clothing stores, a buffet restaurant. Behind the hotel, to the left, a
Home Depot. Excellent. He needed fuel, liquor and a hardware store, and
here it all was. He hit the Taco Bell first and got a grilled stuft burrito
with chicken; while he ate, he read the StarTribune about the
Republican convention. The paper was just short of hysterical, which was good.
The more confusion, the more cops doing street security, the better. Besides,
he was a political conservative and wished John McCain well. He liked the
thought of a bunch of little anarchist assholes getting beat up by the cops.
Out of the Taco Bell, he stopped at the supermarket, got some
apples, one doughnut, and three Pepsis. He picked up a bottle of George Dickel
at the liquor store, then carried the whole load down to Home Depot, where he
bought a box of contractor's clean-up bags and a crescent wrench, the biggest
one he could find. "Big wrench," said the cute little blonde at the
checkout. He gave her a twinkle: "I gotta big nut to deal with," he
said. She giggled, seeing in the comment a double-entendre of some
kind, which may or may not have existed, Cohn thought, as he walked back to the
motel with his bags. So the gang was back in town. Jesse Lane was a white man with dirty blond hair that fell on
his shoulders, a thick face with eyes too closely spaced, a bony nose marked by
enlarged pores, and thin, pale-pink lips. A hand-made silver earring, big as a
wedding ring, hung from his left ear lobe. Fifteen years earlier he'd done time
in an Alabama prison, for armed robbery, where he picked up the weight-lifting
habit. He was still a lifter, and showed it in the width of his shoulders and
his narrow, tapered waist. Lane owned a farm in Tennessee, on the 'Bama border, where he
grew soybeans and worked on cars in a shop in the barn. His specialty was
turning run-of-the-mill family vehicles into machines that could flat outrun
the highway patrol not for crooks, but just the everyday Dukes-of-Hazzard
wanabees. Tate McCall was a black version of Jesse Lane. He'd done a
total of ten years in California, both sets for robbery, but had been clean for
eight years. Like Lane, he'd been a lifter, but where Lane was square, McCall
was tall and rangy, like a wide receiver, with hands the size of dinner plates.
McCall owned a piece of a diner on Main Street in Ocean Park, a neighborhood in
Santa Monica. Jack Spitzer was from Austin, Texas. He looked like a
big-nosed French bicycle racer, or a runner, mid-height but greyhound-thin, his
thinning black hair slicked back on his small head. His nose had been broken
sometime in the past. He was mostly unemployed. Lane was sitting at the computer desk, McCall was draped over
an easy chair, Spitzer sat on a bed, more-or-less facing the other two. Lane
and McCall were wearing golf shirts and slacks, while Spitzer wore a
short-sleeved dress shirt and a black sport coat, because, all the others
thought, he was carrying a pistol in the small of his back, the dumb shit. Rosie Cruz came through the door that connected Cohn's two
rooms, and said, "He's coming." "Nothing around here to see but chain restaurants," McCall
said. "How'd you know?" Cruz asked. "I looked," McCall said. "While you were pickin' up
Brute." "And that's what Brute's doing looking," she said. "You know
what he's like." "We gotta get this shit straightened out," McCall said,
looking at Spitzer. Spitzer said, defensively, "I'll do whatever Brute says." "Goddamn right," Lane said. They all sat, waiting, the television on, but muted, a CNN
chick soundlessly running her mouth with a forest fire on a screen behind her
head. A minute or two, then a key rattled in the door lock, and Cohn came in.
He was wearing tan golf slacks, a red golf shirt and a blue blazer, carrying a
grocery bag and a plastic sack. He looked like a city manager on his day
off. He saw them and flashed his smile, genuinely happy to see
them, and they knew it. He shut the door and said, "Boys. Damned good to see
you. Jesse. Tate. Jack..." He stepped through the room, shaking hands, slapping
shoulders. Cruz was leaning in the doorway to the second room, watching. Lane said, "Man, you're looking good. I like that beard." "Yeah, yeah," Cohn said, scratching at the beard. "Let me run
down the hall and get some ice..." He picked up the ice bucket, went out, and was back in a
minute with a bucket of ice cubes. "Got some Dickel," he said. "I been drinking nothing but
scotch and gin and it's good but it ain't bourbon." McCall said, "We got some shit to figure out." He looked at
Spitzer. "All right," Cohn said. "Let's get it out." He found a glass,
scooped some ice into it, and poured in a couple of ounces of bourbon. "I think
we agree that Jack sorta screwed the pooch the last time out." He took a sip of
the drink and closed his eyes and smiled: "That's smooth." "Screwed the pooch? He signed us up for death row," Lane said.
"Wasn't no point in shooting those boys." "Accident," Spitzer said. "Goddamn one in a million. I thought
he was coming for me. What the fuck was I supposed to do? Once he was down, I
had to do the other one..." "They were cops," McCall said. "Jack's right, though. After the first one went down, he had
to do the second," Cohn said. He was standing next to Spitzer, one hand on his
shoulder, drink in the other hand. McCall said, "Brute, you know I like working with you. You got
a class act. But this asshole..." Spitzer turned his head toward McCall and away from Cohn. When
he did that, Cohn put the drink down, pulled the eighteen-inch-long crescent
wrench from his back pocket, cocked his wrist, and slammed it into the back of
Spitzer's head. Spitzer jerked forward, his face suddenly blank, eyes wide, and
fell on the floor. Cruz said, urgently, "No, no, Brute..." "Go in that other room," Cohn said. "Brute..." She didn't move. Cohn ignored her, went to a closet alcove with a dozen wire
coat hangers on a rod. He'd already unwrapped one of them and he took it down,
carried it back to Spitzer's body. Spitzer was out, and maybe dying, but making
low growling sounds. Cohn bent the coat-hanger around Spitzer's neck, put his
knee down hard on the unconscious man's spine, and pulled up on the wire until
it cut halfway through his neck. His teeth bared with the effort, he did a
quick twist of the wire, turning it around itself. Spitzer stopped making any
sound, though a minute later, his feet began to tremble and run as his brain
died. Cohn looked at McCall and Lane and said, "Sooner or later,
he'd of given us up. He didn't have a job, like you boys. He was on the street.
Sooner or later, he was going to get caught, and then he was gonna cut a deal.
We were nothing but money in the bank, to him." They all looked at the body for a minute, then Cruz said, "You
should have told me what you were going to do." "Didn't know how you'd react," Cohn said, in apology. "I'm
sorry if this offends you..." "That's not what I meant," Cruz said. "What I mean was, if
you'd told me, I'd have figured out a better place to do it. He's bleeding, ah,
for Christ's sakes, if they find blood in the carpet..." She took three long steps to the closet niche, snatched a
HomTel plastic laundry bag off a hanger, and as the men watched, bent over
Spitzer's body, lifted his head by the hair on the back of his skull, and
pulled the bag over his head. Then she tugged the head to one side and said,
"The carpet's okay. Goddamnit, Brute, try thinking about consequences once in a
while." Cohn was embarrassed and shrugged, and said, "Sorry,
babe." "Go wash that wrench. We'll throw it out the car window
somewhere," she said. "And don't call me babe." McCall looked at Lane, who shrugged. "Be good if nobody found
out about this for a while." "We'll take him out in the woods and bury his ass," Cohn said.
"When I was buying the wrench, I bought some garbage bags at Home Depot. We can
pick up a shovel on the way out." They looked down at the body, and Cruz said, finally, "Four
guys would have been better." Cohn grinned at her: "You'll just have to carry a gun
yourself, darling." She shook her head. "I need to be outside. If I'm not outside,
I can't manage the radios and all the other stuff. Three is okay, four would be
better. I don't know how many people we'll be handling." Cohn looked at Lane. "How about your brother?" Lane shook his head. "We can't go on the same job. You know,
so there'll be somebody to take care of the families, if something
happens." McCall asked, "You remember Bob Mortenson from Fresno?" Cohn nodded. "... He had a wheelman named Steve Sargent, he was in Chino
until last year. He got caught on a jewelry deal that broke down in LA after
Mortenson quit. I know him, some, he's careful, he can keep his mouth shut. If
we needed him..." "We'll talk about it," Cohn said. "But I'd rather not work
with something new. Look what happened when we brought in this piece of shit."
He prodded Spitzer's body with a toe of his shoe. "We'll work it with Rosie,
see if we can do it with three. What happened with Mortenson? I haven't heard
about him in years." "He retired. He's in Hawaii," McCall said. "Got a place there.
Goes fishing a lot. Plays golf." "That's what we're talking about," Cohn said, the enthusiasm
lighting his eyes. "That's what this job'll do for us. Rosie says this should
be large: we pull this off, we're all done." Lane levered himself to his feet. "In the meantime, we gotta
get rid of Jack," he said. "You the farm boy," McCall said. "You know about the woods.
I'm city, man. I'm scared of them bears and shit. Wolfs." A bad smell was coming from the body flatulence, emptying
lungs, or maybe death itself. Cruz said, "We need to get some air freshener.
Some pine scent, that's what the motel uses." Lane said to Cohn, "You know, even if we weren't here for a
job, Jack would have been worth doing. I feel a hundred percent safer
already." McCall said to Cohn, "If you got that garbage bag..." But then Lane asked Cruz, "What're we gonna hit, anyway? You
never said." "Not one hit," she said. "Maybe six or eight." Lane and McCall stared at her for a second, and Cohn said,
"She'll tell you all about it but let's get rid of Jack and she can lay it
all out." "Just give me one minute of it, right now," Lane said. "Not
the details, just the outline." Cruz said, "There are two parts to the deal, but they're not
really connected. The Republican convention is starting, and the people who run
the party down at the street level are here, as delegates and spectators. So
these big lobby guys come in with suitcases full of cash, and pass it out,
expense money. They call it street money, hire guys to put up signs and all
that, off the books. Everybody knows about it, nobody tells. Can't tell,
because it's illegal. I've got the names and hotel rooms for seven of them.
They could have anywhere from a quarter-million to a million dollars, each. We
hit them until we feel nervous. We'll have to feel it out as we go, but three
or four guys anyway. Five, maybe? We'll see. Look for reaction on TV, watch the
targets see if they get bodyguards, whatever." "Who watches them?" Lane asked. "I do, basically. I've got a file on each of them," Cruz said.
"They're schmoozers, they want to make sure they get the credit for the cash
they're handing out, they'll be hooking up with people all the time." "You're going into the convention?" McCall asked. "No. Neither will theses guys. The security is super-tight and
they don't want to get caught with a hundred thousand in small bills," Cruz
said. "So they do the business at the hotels. Two of the guys are thirty
seconds apart in the same hotel, we can do them both at the same time and
they're two of the biggest money guys. The third guy and the fourth guy we'll
have to check. If we see any reaction from the cops, we quit, and go on to the
second part." "Which is?" Lane asked. "A hotel job. The night McCain gets nominated there's a big
ball at the St. Andrews Hotel downtown. We hit the strong-room afterwards.
Three in the morning. I'm thinking twenty million in jewelry, maybe a million
or two in cash." "You got a guy inside?" McCall asked. "Had one. A guy in Washington. Worked for the committee that
sets up room assignments." "What about at the hotel?" "I couldn't find anybody there, that I could risk recruiting,"
Cruz said. "The Secret Service is all over the place. I stayed there a couple
of times, a week at a time, did a lot of scouting...put my stuff in a safe
deposit box, I've been in and out of the strong-room a half-dozen times. I know
the hotel, top to bottom." "Lot of people coming and going in a hotel," Lane said. "That can be handled," Cruz said. "There's no more risk than
an armored car or a bank. And I'm working a little thing that'll keep the cops
occupied while we're inside." Nobody said anything for a moment, and she added, "Guys, this
is it: this is one where we all get out. If we get two million from the
political guys and a million from the hotel and twenty million in diamonds,
that'd be another seven or eight in cash and we'll get at least that, I swear
to god we can quit. Shake hands and walk." They'd worked with her on a dozen jobs and she'd never been
wrong. And they'd talked about quitting. Lane had a family, McCall had a
long-time lover, Cohn was getting old, Cruz was getting nervous. Past time to
quit. Lane and McCall glanced at each other again, McCall tipped his head and
said, "All right; we can get the details later. Right now, we need those
white-trash bags." Randy Whitcomb, strapped into the back of the van, with Juliet
Briar at the wheel, Ranch sitting in a fog layer in the passenger seat, rolled
past Lucas Davenport's house every few minutes, until they saw the girl getting
out of a private car. She waved at the driver and headed up the driveway to
Davenport's house. She was a rangy blond teenager, dressed conservatively in
dark slacks, a white blouse and sandals. "Maybe a baby-sitter," Ranch said. "She's got a key," Briar pointed out. "They don't give keys to
baby-sitters." "Then its gotta be his daughter," Whitcomb said. "Too young
for him to be fuckin'. Daughter'd be good." "Never done anything to us," Juliet said, doubtfully. "Davenport did this to me," Whitcomb said,
whacking his inert legs. "Set it up. Started it all." "The girl didn't..." "Davenport set me up," Whitcomb said. He watched the girl
disappear into the house. "I'm gonna get him back. No fun just shootin' him. I
want to do him good, and I want him to know what I done, and who done
it. Motherfucker." "Motherfucker," Ranch said, and the word made him giggle, and
then he couldn't stop giggling, even when Whitcomb started screaming "Shut up,
shut up, you fuckin' scrote." He didn't mention it, but he was also frightened
of Davenport, who he thought was crazy. They went back to the house, Ranch trying to suppress the urge
to laugh, but cloudbursts of giggles broke through anyway. Because Ranch was crazy. |
19 April 2009 The Prey series, the Virgil Flowers series,
the Kidd series, The Night Crew, Dead Watch, The Eye
and the Heart: The Watercolors of John Stuart Ingle, and Plastic
Surgery: The Kindest Cut are copyrighted by John Sandford. All excerpts are
used with permission. All original content on the website (excluding the message
board and some other specifically disclaimed text) is copyright © 2008 by
Roswell Anthony Camp. Please do not steal anything from these pages. If you
want to borrow something, write and ask first. Help keep moofs happy. | |