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![]() The Prey Series Virgil Flowers The Kidd Series The Empress File Other Novels Etcetera | The Empress File Although the Kidd series does not contain as much
sex, violence, or "offensive" language as the Prey series, it may
still be inappropriate or offensive to some readers. The excerpt below is the
complete first chapter of The Empress File, and it has not been
censored in any way. If you are offended by this sort of material, or will get
in trouble for reading it (e.g. if your parents think it would be
inappropriate for you), do not continue. Thank you. SPECIAL NOTE: This is not, technically, the first chapter of The Empress File. The book opens with this bit, the prologue. So while the following excerpt is labelled "Chapter One" for purposes of website continuity, it's really before the first official chapter of the book. The heat was ferocious. The odor of melting blacktop was thick in the air, like the
stink of an oil slick, and the rare night walkers glistened with sweat. A
time-and-temperature sign outside the state bank poked scarlet digits down the
dark streets: 91, it said, and 11:04. Three doors north of the bank, a janitor
at the Paramount Theater vacuumed the lobby in slow motion. The theater was
air-conditioned. His home was not. Across the street from the Paramount, a window dresser at
Trent's fussed with an abattoir of dismembered mannequins. He worked only
nights, after curfew for children twelve and under. He was setting up the
annual bathing suit display, and modern mannequins, the city council observed,
had nipples. In the window lights even the dummies looked hot. With nightfall an army of insects marched out of the
Mississippi river bottoms. Coffee brown beetles, some as long as a man's thumb,
scuttled out of the gutters. Hard-shelled June bugs ricocheted like stones off
the storefront windows. Fuzzy-winged moths fluttered in the headlights of
passing cars. They made yellow smears when they hit the windshields; the
biggest ones had guts like baby birds, and blood. The moths and the delicate green lacewings were the tragic
stars of the night. By the hundreds of thousands they burned in the eerie
violet halos of electronic insect traps. The lucky ones made it past the traps
and found heaven in the parking lot lights at the E-Z Way. Under the brilliant
floods they danced and died in midnight ecstasy. Their bodies littered the
pavement like confetti. Elvis Coultier liked the bugs. They made intricate patterns in
the boring nightscape, like a living kaleidoscope. In some dumb way they
brought him a breath of drama. Once a night, or sometimes twice, a luna moth
would appear, huge, green, fragile. He would watch it as it circled and
climbed, danced, courting the light, and finally burned, fluttering like an
autumn maple leaf to the parking lot. He loved the bugs, but the heat was killing him. He couldn't
breathe. His lungs felt as if they were packed with sponges. He had the doors
and the big side window open as far as they would go, but never a breeze came
in. Elvis was the night manager at the E-Z Way, a fat young man
given to tent-size sweatpants and novelty T-shirts. Tonight's had a
tiger-striped cartoon cat, with the caption "I Love a Little Pussy." He'd
dripped ketchup on the shirt while eating a hot dog, and five red splotches
crossed the Pussy like bloody fingerprints. Elvis mopped his face with a rag he
kept in the soda cooler. Reruns of "The Mary Tyler Moore Show" flickered on the
portable TV bolted into one corner of the ceiling, but it was so hot that he'd
lost the story line. Beige moths the size of penny-candy wrappers battered
themselves against Mary's face. The E-Z Way, the only all-night store in town, squatted beside
the A&M Railroad tracks. Both whites from the east side and blacks from the
west anyone looking for milk or beer or cigarettes patronized the
place. "We get 'em all, sooner or later," Elvis liked to say. At 11:04 Darrell Clark was Elvis's only customer. He stood in
the back of the store, peering through the glass of an upright cooler. A dozen
varieties of ice cream and sherbet were racked inside: vanilla, Dutch
chocolate, strawberry, butter brickle, raspberry surprise, chocolate rocky
road. Each name and each color photo evoked a memory of taste. Butter brickle
and jamocha were out. Vanilla was good, but too... vanilla. Darrell was dressed in Wal-Mart shorts and a brown
short-sleeved polo shirt. The shirt was too small and fitted his growing body
like a second skin. His hair was close-cropped over his high forehead. Darrell licked his lower lip every few seconds as he
considered the beckoning flavors. After some thought he opened the cooler door,
paused to let the cold air wash over him, shivered, selected a two-quart carton
of chocolate rocky road, and carried it to the counter. Elvis counted Darrell's
handful of crumpled dollar bills, quarters, and dimes, rang up the sale, and
slipped the ice cream into a brown paper bag. "Now you haul ass, boy," Elvis told him. "That rocky road'll
melt faster'n snot on a hot doorknob." Darrell headed out the door on the run. The brown paper bag
dangled from one hand, and his rubber flip-flops slapped on the blacktop as his
long fourteen-year-old legs ate up the ground. He crossed the parking lot under
the moth-shrouded pole lights and ran down the dirt-and-cinders path that
paralleled the A&M tracks. Two things were going through his head. The first was the thought of the rocky road, cool and buttery
in a blue plastic bowl. A good choice. Behind that was an algorithm he had been toying with: a way to
generate real-time fractal terrain at reasonable speeds on his Macintosh II
personal computer.... Clarisse Barnwright, whom everybody, including herself, called
Old Lady Barnwright, hobbled along Bluebell, a rubber-tipped cane held in one
hand, her purse clutched in the other. She lived one block over from the
tracks, on the white side of town. She'd spent her entire life in the
neighborhood, born in a house not a hundred yards from the house where she
expected to die. For thirty-nine years she'd beaten Latin and English into the
thick heads of Longstreet's children. White children for the first twenty-seven
years, a mix of black and white for the last twelve. Then she gave it up and
sank gracefully into retirement. Her husband's death preceded her retirement by a year. Some
people thought that was why she quit. She couldn't face life and work without
Albert, they said wisely. They were wrong. The fact was, Clarisse wasn't unhappy to see him go. Had, late
on hot summer nights in the forties, lying in the same bed with him, sweaty and
suffocating, listening to his burbling snorts and occasional farts, considered
helping him along on the Path to Glory. Might have done it, if she could have
thought of a surefire way of not getting caught. The state had the electric
chair, and no particular prejudice against using it on women. Clarisse sighed as she thought about it. If Albert had lived,
he'd have just sat around the house and complained. Complained about paint
flaking off the siding, complained about the furnace, complained about the
cracking sidewalks, complained about the cotton crop. Never complained about
anything interesting. Never complained about their sex life, for example. She might
have been interested if one night he'd looked up and said, "Clare, just what do
you know about this here cunny-lingus business?" Old Lady Barnwright cackled to
herself. That probably would have finished her off. Clarisse Barnwright lived inside her head. She was so
preoccupied with her thoughts that she never heard the soft steps coming up
behind. Clayton Rand sat on his dark porch and watched Old Lady
Barnwright coming down the sidewalk. A little late for the old lady, but she
still got around good, considering her age. Hell, Clayton was sixty-four, and
he'd had her as a teacher in eleventh and twelfth grades. Clayton fanned
himself with the sports section of the Gazette, watching her hobble
down the sidewalk. Wonder what she thinks about? Probably conjugating Latin
verbs or something. When he saw the shadow behind her, Clayton wanted to holler a
warning, but his tongue got stuck, and nothing would come out of his mouth. He
stood up with his mouth half open as the shadow grabbed the old lady's purse.
She went ass over teakettle into the Carters' honeysuckle hedge, yelling her
head off, while the shadow went sideways across the street, heading for the
tracks. Clarisse Barnwright might have been an old lady, Clayton thought as he
pulled open the screen door and reached for the phone, but there was nothing
wrong with her lungs. "Police Emergency," Lucy answered in her best bubble gum
voice. Lucy had wonderful cone-shaped tits and tended toward pink glitter
lipstick and thin cotton sweaters. Clayton felt as if he'd sinned just calling
her on the 911 line. "Is this an emergency?" "Goddamn right it is, honey," Clayton hollered. "This here is
Clayton Rand out on Bluebell. Some colored kid just snatched Old Lady
Barnwright's purse. Not more than five, ten seconds ago. He's took off
lickety-split toward the tracks...." Officers Roy R. ("Tud") Dick and William L. Teeter had the tac
squad that night. That was why the laser-sighted Heckler & Koch MP5, instead of
the standard police shotgun, was propped between them. The MP5 was a new
weapon. Billy Lee had qualified on it, but Tud had not. He wasn't interested.
Tud had little time for guns, and with good reason: The last time a Longstreet
cop had fired a weapon in the line of duty, he'd missed six out of six times
and got his own ass shot by his brother-in-law. That was back in '71.... The two cops were sitting on a side street, talking about the
heat and waiting to see if Annie Carlson would get drunk and take one of her
patented summer showers. She never pulled the shade on the back bathroom
window, and when she came out of the shower, with the white towel wrapped
around her hair, and was framed in the lighted square, Tud thought she looked
just like some kind of famous painting. He couldn't tell you which. Billy Lee
thought she looked like a potential Playmate of the Month. Which is to say,
large. Tud was sucking on a peach soda when they got the squawk from
Lucy down at dispatch. One second later, the black kid ran past the end of the
street, lickety-split, just like Lucy said. "Let's get him," Tud said. He dropped the empty pop can on the
floor, hit the lights and the siren at the same time, and they took off,
leaving Annie Carlson high and dry. The black kid was running parallel to the
tracks and was fast coming to the point where the street went left around a
bend and the tracks went straight. "Shit, Billy Lee, he's gonna get off behind the water tower,"
Tud said. "Stop the car. Stop the fuckin' car." Tud stopped the car, and Billy Lee jumped out with the MP5 and
punched up the laser. "Hold it right there. You hold it right there...." He was
screaming as loud as he could. He put the laser's red dot in the middle of the black kid's
back. "You hold it, boy...." A sort of greasy, short-breathed excitement got
him by the balls when he realized the black kid wasn't going to stop and Tud
said, "Hey, now, Billy Lee..." Billy Lee pulled the trigger, and a burst of
nine-millimeter slugs went downrange, and the black kid tumbled ass over
teakettle into the weeks. "Ass over Teakettle," Billy Lee said aloud in the sudden
stunning silence. Tud called for a backup and an ambulance, and then they walked
down toward the body, Billy Lee with the MP5 on his hip and Tud clutching his
.38 police special. Lights were coming on in houses on both sides of the
tracks, and a guy in a white sleeveless T-shirt was standing on his front lawn,
watching them. They found the boy in the cinders and sandbabies next to the
tracks, facedown. One bullet punched through his neck; a second took him in the
spine between his shoulder blades; a third caught him a little lower and to the
left, maybe nicking a lung. Good shooting. The boy must have lived for just a
second after he went down, Tud thought, because his mouth was full of dirt and
cinders, as if he'd bitten into the earth as he died. The two officers looked down at him for a minute, and then Tud
squatted and dumped the bag the kid had been carrying. Out fell a two-quart
carton of chocolate rocky road, steaming in the muggy night air. They both
looked at it for a long beat. Then Tud turned his sad hound dog eyes up to his
partner. "Goddamn it, Billy Lee," he said, shaking his head. "You went
and shot yourself the wrong nigger." |
13 May 2008 The Prey series, the Virgil Flowers series,
the Kidd series, The Night Crew, Dead Watch, The Eye
and the Heart: The Watercolors of John Stuart Ingle, and Plastic
Surgery: The Kindest Cut are copyrighted by John Sandford. All excerpts are
used with permission. All original content on the website (excluding the message
board and some other specifically disclaimed text) is copyright © 2008 by
Roswell Anthony Camp. Please do not steal anything from these pages. If you
want to borrow something, write and ask first. Help keep moofs happy. | |