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![]() The Prey Series Virgil Flowers Dark of the Moon The Kidd Series Other Novels Etcetera | Dark of the Moon Dark of the Moon contains strong language and scenes
of graphic violence and sex, and it may thus be inappropriate or offensive to
some readers. The excerpt below is the complete first chapter of
Dark of the Moon, and it has not been censored in any way. If you are
offended by this sort of material, or will get in trouble for reading it (e.g.
if your parents think it would be inappropriate for you), do not
continue. Thank you. Six garbage bags full of red cedar shavings, purchased two at
a time for a dollar a bag, at midnight, at the self-serve shed at Dunstead &
Daughter Custom Furniture, serving your fine cabinetry needs since 1986. No
cameras, no lights, no attendant, no theft, no problem. Moonie stacked the bags in the basement, Cross Canadian
Ragweed pounding through the iPod ear-buds, singing about those dead-red lips;
then up the stairs, pulling the ear-buds, to where the old man lay face down on
the rug, shaking, kicking, crying, trying to get free. Tied with cheap hemp
rope, but no matter. The old man was so old and so feeble that string would
have worked as well as rope. "Please," he groaned, "Don't hurt me." Moonie laughed, a long singing rock 'n' roll laugh, and at the
end of it, said, "I'm not going to hurt you. I'm going to
kill you." "What do you want? I can tell you where the money is." "The money's not what I want. I've got what I want." Moonie
gripped the rope between the old man's ankles and dragged him to the basement
stairs, and then down the stairs, the old man's face banging down each tread as
they went. "Oh my Jesus, help me," the old man wept through his bloody
lips, his fractured face, "Help me, Jesus." Thump! Thump! Thump! Nine times. "Jesus isn't going to help," Moonie said. The old man pulled it together for a second. "He can send you
to hell," he snarled. "Where do you think I am, old man?" "You..." "Shut up. I'm working." Getting the old man onto the bags was the hardest part. Moonie
first threw him face down on the topmost bag, then heaved his feet up. The old
man was tall, but frail; eighty-two years old and sedentary and semi-senile,
though not so senile that he didn't know what was happening now. He sank down
into the bags of wood shavings and thrashed there, got halfway off, then sank
down between them, thrashed some more, then quit. Wood shavings made for the
most intense fire, and left no obvious residue; or so the arson fans theorized
on the Internet. Moonie got busy with the first five-gallon can of gasoline,
pouring it around the basement, around the bags, soaking the old man with it,
the unused wooden canning racks, the seldom-used work bench, the stack of aging
wooden lawn chairs, and then up the stairs. The old man began thrashing again.
Moaning, "Please..." The first few splashes of gasoline smelled good, like the shot
you got when you were pumping gas into your car; but down in the enclosed
space, five gallons of gas, the fumes got stiff in a hurry. "Don't die on me. Wait for the fire," Moonie called, backing
up the stairs, splashing gas along the steps. The second can was poured more
judiciously around the first floor, soaking into the Persian carpets, leaking
around the legs of the Steinway grand piano, flowing into the closets. When
two-thirds of it was gone, Moonie backed through the kitchen, where the first
can, now empty, waited. Moonie would take them. No point in making the arson
obvious, though the police would probably figure it out soon
enough. A driving rain beat against the kitchen windows. Ideally,
Moonie would have preferred to trail the gas out into the yard, and to touch it
off from a distance. With the rain, though, that would be difficult. The rain
would wash the gas away as quickly as it was poured. So it would have to be
kept inside. A small risk...the fumes boiled unseen around the killer's ankles,
flowing into every nook and cranny. At the kitchen door, Moonie splashed out a final pool of gas;
stopped and looked into the house. The place was huge, expensive, and a wreck.
The old man's housekeeper came in twice a week, did some dishes, washed some
clothes; but she didn't do carpentry, wiring, or plumbing, and the house needed
all of it, along with a wide-spectrum exterminator. There were bugs in the
basement and bats in the belfry, the killer thought, and then, giggling now, a
nut in the kitchen. The old man cried a last time, faintly audible against the
sound of the rain and wind... "Please, God help me..." Good to know he was still alive the old man would get
the full experience. Moonie stepped through the kitchen door onto the back porch,
took out a book of matches, scratched one, used that one to set off the entire
book. The book cover caught, and Moonie played with it, enjoying the liquid
flow of the flame, getting it right, then threw the book toward the pool of gas
in the kitchen, turned and ran out into the rain. The fire popped to top of the pool of gasoline, flickered
across it, snaked one way into the living room, under the shambles of the
once-grand piano, and the other way, like a living thing, down the stairs into
the basement. The fumes in the basement were not quite thick enough for a
real explosion. The old man, surrounded by bags of wood shavings, heard a
whump and felt the sudden searing heat of a blowtorch that burned away
all feeling in an instant, and killed in the next instant. That was all for him. |
1 May 2009 The Prey series, the Virgil Flowers series,
the Kidd series, The Night Crew, Dead Watch, The Eye
and the Heart: The Watercolors of John Stuart Ingle, and Plastic
Surgery: The Kindest Cut are copyrighted by John Sandford. All excerpts are
used with permission. All original content on the website (excluding the message
board and some other specifically disclaimed text) is copyright © 2008 by
Roswell Anthony Camp. Please do not steal anything from these pages. If you
want to borrow something, write and ask first. Help keep moofs happy. | |